[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1614810953051{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text][caption id="attachment_3700" align="alignleft" width="350"]Kashidakari - The Gorgeous Embroideries of Kashmir Kashmir Image from traveltriangle.com[/caption]Embroideries of Kashmir: A couple of weeks back, I shared a breathtaking video made by the Google Arts & Culture Institute on the Sozni Embroidery from Kashmir. The video gathered a lot of love and likes on Facebook and Instagram.The valley of Kashmir with its beautiful flora and fauna is resplendent with nature. Therefore the embroideries or textile designs from Kashmir have always been largely inspired by the floral beauty of the valley.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1613361368117{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Famous Carpet Traditions [caption id="attachment_3653" align="alignleft" width="375"]India's most Famous Carpet Traditions from Kashmir and Agra A prayer carpet. James F Ballard[/caption] Imagine a home, an airport, or a hotel with just bare floors room after room, no matter how lovely that floor might be.  Through the ages, carpets have warmed our homes literally and visually, added to the decor, and provided insulation. In many cultures, they are regarded with enormous esteem, part of prayer ceremonies and religious places.  The motifs are replete with history and cultural references, common across geographies and nations.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1612749018323{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Historic Design Motifs: There are recurring motifs in textile, architecture, tombs, and artifacts that we have seen through our lifetimes, and we are so used to them that we pass them by without a thought. Many of these motifs have long and complicated histories spanning time and straddling nations. An understanding of these is to understand culture and anthropology, and it is especially vital to craft. In earlier blogs, we have discussed the Paisley and the Cypress, arguably two of the most important.  Today, let us look at a few more, perhaps less known but equally historical. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1610939143383{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Cypress Motif: When studying the history of motifs in the arts and crafts, we often read about the Paisley.  But there is another motif, more mysterious, more philosophical, one that represents death and eternal life. And that is the Cypress.  Many say that the Paisley was born of the cypress when a stray songbird sat on its very tip, bending it slightly.  But let's go back to the beginning. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1610085540880{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Textile Crafts of Japan : I had a pink hand-painted pajama set as a child, which came in an artful box, with the inside flap mirrored and beribboned. I loved this so much I never actually wore it but pulled it out at intervals to admire it. This was my first exposure to the miracle of Japanese crafts.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1608448837036{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Art Nouveau : As a young girl, I remember attending a book fair in Delhi and spotting a book with black and white illustrations. Curling and sinuous, at once decorative yet a little naughty, these were by the famous Art Nouveau illustrator Aubrey Beardsley. I've been hooked to this movement ever since, from the architecture of Gaudi, the jewelry of Tiffany, and of course the art of Beardsley and Alphonse Mucha

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1608419589666{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Punk : The idea of perfection and details in designs are an intrinsic part of cultural crafts. This refined look of crafts has always fascinated me until the current prolonged situation with the pandemic made me realize why isn't design in crafts used for 'activism' or 'rebellion' or a cry for help for the change of current systems. I was inspired to think more in this direction after I recently revisited the Met's spring 2013 Costume Institute exhibition, PUNK: Chaos to Couture, which examined Punk's impact on high fashion from the movement's birth in the early 1970s. In this article, let us learn more about this exhibition and PUNK!

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1607483106680{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]

Indian Floral : For centuries, plants and flowers have inspired Indian artists of different genres. The lotus flowers and floral meanders depicted in the Buddhist sites dating back to the 3rd century, the depiction of Hindu God Vishnu on a throne of a lotus flower, and the famous paintings of Ajanta and Ellora caves from the 5th century are the most excellent and oldest examples depicting florals in Indian Art. However, florals did not become the design language for Indian textiles for a long time, not until the beginning of the Sultanate Period in the twelfth century when Islamic culture started influencing Indian art & design.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1607212846749{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]

Indian Art

[caption id="attachment_3273" align="alignleft" width="400"]The Pahari School of Paintings: The Beautiful Indian Art Jain school of Gujarat.[/caption]

The history of painting in India goes back 2000 years, something that many do not realize, starting with the beautiful murals of Ajanta, which are interesting too because they show people wearing craft still extant.  The 11th century saw the illustrated Pala manuscripts,  painted on palm leaves, and the earliest example of miniature painting in India.  The next development was the Jain school of Gujarat, which eventually lead to the Rajput tradition of miniature art.  As it grew and developed, the Rajput tradition divided into two distinct schools, Rajput and the Pahari school, based in Himachal Pradesh, the hilly state in the north-west of India.


[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1605918084674{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text][caption id="attachment_3236" align="alignleft" width="363"]book Victoria & Albert Pattern: Spitalfields Silks Image Courtesy Victoria and Alber Musuem London[/caption]I will start teaching my first course on 'Collaborative Design with Artisans' as an Adjunct Professor at FIT from the coming Saturday. This new opportunity encouraged me to read about handmade textiles from a global perspective. I read some exciting books from the V&A Museum's Textile and Fashion collections. It is a very enriching experience to learn from other cultures. This reading and research have helped us enhance our design approach and library at Marasim. As I am hopeful, it will also help further the knowledge of my soon to be students.
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