[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1631589941015{padding-right: 15px !important;}" z_index=""][vc_column width="1/3" css=".vc_custom_1631800168153{padding-right: 15px !important;}" offset="vc_col-xs-12"][vc_single_image image="4741" img_size="full" add_caption="yes" qode_css_animation=""][/vc_column][vc_column width="2/3" offset="vc_col-xs-12"][vc_column_text]Cross-Stitch - The inspiration for this article came from our cross-stitch expert Shobha, who joined as our first full-time cross-stitch artisan in June 2021. Shobha has been practicing this craft for the past 17 years. When she was in her twenties, she joined the training group led by father, Colombus, and has never looked back. The crafts were introduced to her village by father Colombus almost 70 years before. Father Columbus visited India through a missionary and trained women in more than 25 villages.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1631039496195{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Afghan War Rugs: I made my first-ever Afghan friends in 2017 in India during the Global Entrepreneurship Summit co-hosted by India and the US Department of State. I remember my excitement to meet so many fellow women founders solving problems in their communities worldwide. However, I want to emphasize the challenges amidst which our Afgan women friends were building their companies were beyond our imagination. They were building their companies amidst the looming threat and past scars of ideological and military war. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1630383671449{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Crochet: My grandmother had a straw box that contained mostly white hanks of thread and red beads. She would take this box out when she wasn't busy, and magically little doilies with a bead edging would emerge from her fingers. These doilies were used to cover jugs of water and glasses.  I didn't know it then, but she was crocheting these. Her creations are lost now, but I saw similar ones in a tiny shop in the mountains and immediately bought a few. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1629267426196{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text] [caption id="attachment_4617" align="alignleft" width="304"]Ainu, a Japanese Community that Reveres Textiles The Ainu. Picture from Thummanit Phuvasatien .[/caption] Ainu: We who love textiles know what it is to revere an exceptional piece of weaving or embroidery.  But there is a community where this is literally practiced. And that is by the Ainu. 

History of Ainu

The Ainu have lived on the island of Hokkaido for millennia, populating a culture distinct from the Japanese. Following a Hunter-gatherer lifestyle, they, like most communities that live off the land, revered all things natural. This reverence interestingly extended to tools and clothes, the minutiae of daily life.  One fascinating aspect of their culture is the reverence of bears, which are seen as gods.  The Ainu would often collect bear cubs and bring them up in their homes, exactly as they brought up children.  Eventually, these bears were sacrificed in a ritualistic ceremony,  with their flesh and fur highly valued as divine. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1628630421216{padding-right: 15px !important;}" z_index=""][vc_column width="1/2" offset="vc_col-xs-12"][vc_column_text]Smocking: Those of us who grew up in the 1960s and the decades before then have all worn gingham dresses, very often with smocking. I know that I associate smocking exclusively with dresses for little girls.  But that's not how the craft started.  In a reversal of timelines from most forms of embroidery, which have been the province of the elite, smocking began as a means to render peasant clothing practical.  And this is what makes it unique among all the forms of embroidery.  Embroidery Series by Marasim

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1628220473151{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]In 2019 we did a lot of research and development in hand knitting, knotting, smocking, and bead-making techniques. We worked with a group of women artisans in the villages of Western Uttar Pradesh in India. Before making the trip to these villages and meeting these women, I was under the impression that these techniques are almost similar to each other and created similar looks. However, once we worked with these masters, we learned about the nuances of different techniques and various design possibilities associated with them. Together with the artisans, we co-created beautiful and chic panels.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1623909223597{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Lace Making: My fascination for handmade laces started three years back in the summers of 2018 when I searched for artisan groups in India to help us recreate old collected laces and trims from Europe. Until then, my knowledge of high-quality handmade laces possible to accomplish in India was limited only to cotton crochet work. However, to my surprise, we found groups of women based in small villages across different states of Southern India, practicing a variety of high-skilled European lace making techniques. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1623043300818{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Enameled Jewelry: In the story of my career, I've had much to do with the popularising of fashion jewelry in India.  But that's another story, which I will tell one day.  For the moment, I want to start a new blog series on the various genres of jewelry, not just in India but worldwide.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1619725349713{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Gota Work or Lappe Ka Kaam

This past year allowed us to work with many embroidery techniques from India, which are traditionally practised as embroideries of gold. A few days ago, when we wrote about one such Embroidery of Gold- Zardozi Embroidery, we received a great response. Therefore we feel encouraged to share more on Indian embroidery techniques from the genre of 'gold.' One such technique is Gota Work or Lappe Ka Kaam. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1619207173048{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Chikankari Embroidery from India - As a child growing up in Lucknow in the 1960s, I recall being dragged along to the stores when my mother and aunts shopped.  Much to my boredom.  Except when we went to the chikankari shops.  Even as a child, I found the gossamer tenderness and transparency of the craft fascinating, and I'm not alone in this.  In 1903, George Watt described it as "the most artistic and delicate form of the indigenous needlework of India."  Laila Tyabji compares it to a dragonfly wing.  
Follow by Email
Instagram