Victorian textiles: Growing up in a family that makes a ceremony of brewing the perfect cup of tea, I’ve seen tea cosies all my life. Those little jackets for the teapot that keep the tea warm while it is steeping. The other day I posted my Queen Elizabeth 1 tea cosy on social media and was surprised to see the reactions. Many were amused. But most said they didn’t know what a tea cosy was! (more…)
Crochet: My grandmother had a straw box that contained mostly white hanks of thread and red beads. She would take this box out when she wasn’t busy, and magically little doilies with a bead edging would emerge from her fingers. These doilies were used to cover jugs of water and glasses. I didn’t know it then, but she was crocheting these. Her creations are lost now, but I saw similar ones in a tiny shop in the mountains and immediately bought a few.
A Humble Hanky –One of my earliest memories is my mother dabbing her lace-edged hanky with cologne and tucking it into her saree, along with her keys. To the little me, this seemed the height of femininity and grace. My mother kept her hankies, like precious keepsakes, in a box with a big bow on it. A few years later, an aunt gifted me a set of seven, one for each day of the week, embroidered with pixies and flowers. How delighted I was. (more…)
Cypress Motif: When studying the history of motifs in the arts and crafts, we often read about the Paisley. But there is another motif, more mysterious, more philosophical, one that represents death and eternal life. And that is the Cypress. Many say that the Paisley was born of the cypress when a stray songbird sat on its very tip, bending it slightly. But let’s go back to the beginning.
Textile Crafts of Japan : I had a pink hand-painted pajama set as a child, which came in an artful box, with the inside flap mirrored and beribboned. I loved this so much I never actually wore it but pulled it out at intervals to admire it. This was my first exposure to the miracle of Japanese crafts.
A floor covered in rush in a medieval home
Jacobean Embroidery : We live in our current times in houses or apartments, which are fully furnished, heated in winter, and adorned extensively with textiles for aesthetic reasons and utility. But there was a time in England and the rest of the world that houses were draughty, furniture scarce, and cloth was restricted to wool, linen, and silk. There were rushes on the floor, which dogs and often people would relieve themselves in, making interiors malodorous. People often shifted from one house to another, an itinerant lifestyle because homes became quickly unhygienic.
In the 16th and 17th centuries, an awareness began to grow about beauty and comfort, both in interiors and dress. This age coincided with a time in England when huge homes were being built, abbeys were turned into residences, and lasting peace meant that they could give attention to aesthetic (more…)
Muslin- The word ‘Muslin’ is believed to derive from Marco Polo’s description of the cotton trade in Mosul, Iraq. Another view is that of fashion historian Susan Greene, who wrote that the name arose in the 18th century from mousse, the French word for “foam.” The word is most likely derived from the port of Machilipatnam, called Masulipatnam earlier, from where muslin was exported to South Asia, the Roman Empire, Ethiopia, and Egypt, where it was famously used to wrap mummies. It was often traded for ivory and rhinoceros horn by Greek and Arab merchants. (more…)
NATURAL DYES – THE HISTORY OF EXTRACTION OF PLANT PIGMENTS
Last week, I had written about dyes extracted from animals. In continuation of the story of natural dyes, I will describe the primary dyes extracted from plant sources and the often violent history associated with at least one of these. (more…)
MATISSE’S ART AND TEXTILES: Last week, As I was researching the works of artists who found inspiration in textiles, I came across the book ‘Matisse: His Art and His Textiles.’
Matisse had a blood association with textiles as he was born to a family of expert weavers in the French town of Le Cateau-Cambresis and brought up at Bohain-en-Vermandois in Picardy in Northern France. Since the Middle Ages, this region had been the center for manufacturing textiles- linen, wool, and silk. By the end of the nineteenth century, when Matisse was growing up, Bohain was renowned as a luxury fabric producer. – embossed and patterned velvet, tulle, voile, and above all, silk. It was second to none in supplying the top end of the Paris fashion trade.
The Beautiful Indienne, A Textile Story of Switzerland
I discussed my recent textile-related reads with a friend when she mentioned the book ‘Indiennes – Material For A Thousand Stories“. The exhibition at the Landesmuseum Zürich published this book in conjugation with their presentation.
The name ‘Indienne’ made me curious as I have not heard of it before in relation to the calico textiles that were traded between India and Europe. I grabbed my copy right away and just finished reading it. The book examines what happened next to the beautifully printed and painted cotton story after they left the Indian shores, arrived in Europe and created a veritable storm of buying enthusiasm in Europe. (more…)