[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1610939143383{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Cypress Motif: When studying the history of motifs in the arts and crafts, we often read about the Paisley.  But there is another motif, more mysterious, more philosophical, one that represents death and eternal life. And that is the Cypress.  Many say that the Paisley was born of the cypress when a stray songbird sat on its very tip, bending it slightly.  But let's go back to the beginning. 

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1610085540880{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Textile Crafts of Japan : I had a pink hand-painted pajama set as a child, which came in an artful box, with the inside flap mirrored and beribboned. I loved this so much I never actually wore it but pulled it out at intervals to admire it. This was my first exposure to the miracle of Japanese crafts.

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1608448837036{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Art Nouveau : As a young girl, I remember attending a book fair in Delhi and spotting a book with black and white illustrations. Curling and sinuous, at once decorative yet a little naughty, these were by the famous Art Nouveau illustrator Aubrey Beardsley. I've been hooked to this movement ever since, from the architecture of Gaudi, the jewelry of Tiffany, and of course the art of Beardsley and Alphonse Mucha

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1608419589666{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Punk : The idea of perfection and details in designs are an intrinsic part of cultural crafts. This refined look of crafts has always fascinated me until the current prolonged situation with the pandemic made me realize why isn't design in crafts used for 'activism' or 'rebellion' or a cry for help for the change of current systems. I was inspired to think more in this direction after I recently revisited the Met's spring 2013 Costume Institute exhibition, PUNK: Chaos to Couture, which examined Punk's impact on high fashion from the movement's birth in the early 1970s. In this article, let us learn more about this exhibition and PUNK!

[vc_row css_animation="" row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" css=".vc_custom_1607820803594{padding-right: 15px !important;}" z_index=""][vc_column offset="vc_col-xs-12"][vc_column_text]Indo-French Art : The historical connection between India and France goes back to the late 17th and 18th centuries when French ships arrived to set up trading centers in Pondicherry, the then Masulipatnam, and Surat, amongst others. Of course, the French were never as prominent in India as the English, finally losing the race to colonize India after the Battle of Plassey in 1757.  The politics of the time also meant that early European painters in India were all or mostly British, establishing what came to be known as the Company School, a painting style combining English and Indian art styles.  In India, early art schools in the then Bombay and Calcutta were also established by the British and taught art based on European classicism. 

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Indian Floral : For centuries, plants and flowers have inspired Indian artists of different genres. The lotus flowers and floral meanders depicted in the Buddhist sites dating back to the 3rd century, the depiction of Hindu God Vishnu on a throne of a lotus flower, and the famous paintings of Ajanta and Ellora caves from the 5th century are the most excellent and oldest examples depicting florals in Indian Art. However, florals did not become the design language for Indian textiles for a long time, not until the beginning of the Sultanate Period in the twelfth century when Islamic culture started influencing Indian art & design.

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Indian Art

[caption id="attachment_3273" align="alignleft" width="400"]The Pahari School of Paintings: The Beautiful Indian Art Jain school of Gujarat.[/caption]

The history of painting in India goes back 2000 years, something that many do not realize, starting with the beautiful murals of Ajanta, which are interesting too because they show people wearing craft still extant.  The 11th century saw the illustrated Pala manuscripts,  painted on palm leaves, and the earliest example of miniature painting in India.  The next development was the Jain school of Gujarat, which eventually lead to the Rajput tradition of miniature art.  As it grew and developed, the Rajput tradition divided into two distinct schools, Rajput and the Pahari school, based in Himachal Pradesh, the hilly state in the north-west of India.


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Traditional Chikankari Embroidery at a NYC based companyImage Source: Poala Manfredi's book on Chikankari
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CHIKANKARI EMBROIDERY HISTORY 

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Traditional Chikankari Embroidery at a NYC based company. The historical city of Lucknow with its detailed architecture is synonymous with Chikankari embroidery. In 1775, Lucknow had become the capital of the city of Oudh. It at once began to attract craftsmen, artists and musicians, who were patronized by the Mughal court.Mughal Court

The stitches of  white on white patterns such as paisleys and florals adorn the surface of the fabric . The use of untwisted cotton or silk threads was common. Some stitches start from the front of the fabric, others from the back. There are six basic stitches, which form a large repertoire of stitches as a combination of each other for embossing flowers and leaves.

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